How To Become A Scandal
Adventures In Bad Behavior

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“Those who think they are playing to an unseen audience often find that they are abruptly on stage without a stitch. Why do they need this validation and why do we so much enjoy providing it? In How to Become a Scandal Laura Kipnis investigates the dirty habits of the heart and illuminates the secret places of the psyche, speculating brilliantly and amusingly about the trouble to which people will go to get themselves exposed.”  —Christopher Hitchens, author of Hitch-22


We all relish a good scandal. Why do people feel compelled to act out their tangled psychodramas on the national stage, and why do we so enjoy watching them? The motifs are classic—revenge, betrayal, ambition, madness—though the pitfalls are ones we all negotiate daily. After all, every one of us is a potential scandal in the making: failed self-knowledge and colossal self-deception—the necessary ingredients—are our collective plight.

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A New York Times Book Review Editors’ Choice  (New York Times Review ››)


Praise For How To Become A Scandal

“A brilliant, funny take on our downfall-a-minute age.”
People Magazine

“A must-read for anyone unable to look away from another’s fall from grace. . . . Reading her clever book is like sitting in a front-row seat at Scandal Theory 101—and serves as a cautionary tale for those tiptoeing on the edges of indignity. . . . How to Become a Scandal is as transfixing and engrossing as the tremendously chaotic tales she recounts with exacting detail.”
—Tina Brown, Editor-in-Chief, The Daily Beast

“Kipnis freshly illuminates her subjects’ plights, while scrutinizing the public delight in their misfortune, wearing her learning so lightly that the reader is easily seduced by her quick wit and her camouflaged erudition. Kipnis ties psychoanalysis and reality TV, detectives and literary critics, talk show hosts and sociologists, along with the scandalizers and the scandalized into a persuasive bundle: “Scandals aren’t just fiascoes other people get themselves embroiled in while the rest of us go innocently about our business,” she argues. “[W]e all have crucial roles to play.” A deliciously flippant tone serves the reader the juicy details we savor so about scandal, while tossing in some timeless questions and speculations about the deeper meaning of it all (“free will, moral luck, the stranglehold of desire, the difference between right and wrong”) as though they were mere garniture. This is a dead serious book that’s an utter lark to read.”
Publishers Weekly, starred review

“Laura Kipnis is scarily smart and enviably funny, and with How to Become a Scandal she emerges as a Tocqueville for the age of Gawker. You’ll never read Page Six in the same way again.”
—Rebecca Mead, author of One Perfect Day: The Selling of the American Wedding

“Read Laura Kipnis’s new book if you’re hoping to become the object of a media feeding frenzy. Read it if you’re hoping to avoid one. This is cultural criticism of a high order.”
—Jacob Weisberg, author of The Bush Tragedy

“An extremely smart, funny, acid, and beautifully written meditation on a scary truth that we all try desperately to ignore: we are deeply divided animals, and we are drawn to the creation of our own demise.”
—David Shields, author of Reality Hunger: A Manifesto

“Excruciatingly fascinating and as fun to read as all the tabloid fodder we pretend we’re not following, How to Become a Scandal deftly reveals our halls of infamy to be halls of mirrors. Laura Kipnis has written another fabulously intelligent book.”
—Rivka Galchen, author of Atmospheric Disturbances

“In the future, historians will have to read How to Become a Scandal if they want to understand this bizarre century. Laura Kipnis writes about the central conflicts in our society, the great comedies of manners, with the profound wit and broad sympathy that we used to find only in ambitious novels.”
—Michael Tolkin, author The Return of the Player

“Laura Kipnis has the rare ability to keep her wits about her even as she treads into areas where most nice people would not go. As Kipnis so astutely observes, each epoch gets the scandals it most needs, but at their root is just the inexorable, inexpungible, humiliating fact of being human.”
—Keith Gessen, author of All the Sad Young Literary Men

“A brilliant original analysis of our culture’s addiction to scandal. Kipnis illuminates her subjects with such wit and perception that she raises the art of critical writing to new heights. Brava.”
—Patricia Bosworth, author of Marlon Brando




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